Corpse Bride courtesy of Mackinnon and Saunders
 UK Screen Alliance Members  
 Animation UK Members  

3 Result(s)
160 Great Portland Street
020 7268 5000

Double Negative (DNEG) is one of the world’s leading visual effects, animation and stereo conversion companies for feature film and television, with studios in London, Vancouver, Mumbai, Los Angeles, Chennai, Montréal, Chandigarh, Hyderabad and Goa.

Since DNEG’s first studio opened in London in 1998, they have always thrived on collaboration and the creative energy this provides, dedicated to delivering excellence on every project. DNEG brought home the Oscar for “Best VFX” for three out of the last four years. In total, DNEG has been honoured with 4 Academy Award wins, 4 BAFTA Awards and 8 Visual Effects Society Awards for their visual effects work on “Blade Runner 2049”,”Dunkirk”, “Ex Machina”, ”Interstellar”, ”Inception” and “Harry Potter and The Deathly Hallows Part 2”.

DNEG craft spectacular visuals for some of the world’s biggest films. Recent work includes Pacific Rim Uprising, Annihilation, Black Panther, Justice League, Thor: Ragnarok, Blade Runner 2049, Dunkirk, Baby Driver and Wonder Woman. Their Feature Animation division collaborates with filmmakers and IP owners to create high-end animated feature films.

DNEG’s TV VFX division tailors our experience, skills and pipeline for the specific needs of high-end television programming. Recent TV projects include Altered Carbon, Black Mirror Season 4, Marvel ‘s Inhumans, Krypton, Strike – The Silkworm and BrainDead.

DNEG’s industry-leading stereo conversion team has delivered some of Hollywood ‘s biggest theatrical 3D experiences, including Pacific Rim Uprising, Beauty and the Beast, Transformers: The Last Knight, Kong: Skull Island and Gravity.

Primary Activity: VFX

Other Activities: VFX

See news about DNEG
c/o Yonder Workspace 4-6a Hookers Road
E17 8BN
07979 855917

Founded by Bill Elliott and Tom Baker, Kong is a London based design led animation and illustration studio with a talented team of directors, animators, illustrators and scriptwriters.

Kong started in 2D and now works in a variety of styles, mediums and techniques to deliver clients beautifully crafted animation and illustration across entertainment, branded content, online video, explainers, motion picture and print.

We’re passionate about our craft and our company aim is to engage audiences with compelling content that has heart, purpose and integrity.

We’re highly experienced at producing quality work efficiently and effectively, adapting our workflow and team to fit the project. We achieve this by valuing our artists and their wellbeing. We work as a collective and actively support their development beyond our studio.

Notable work includes spots for IMAX promoting Star Wars and Shazam! theatrical releases, ‘Thomas & Friends’ web series for HIT/Mattel and Sci-Fi Comic Cover set props for Netflix’s Black Mirror.

Services: 2D Animation, 3D Animation, Concept, Character Design, Design, Storyboarding, Video Production, Branded content, Motion Comics, Motion Graphics, Explainer Videos, Corporate Videos, Title Sequences. Script Writing

Clients: IMAX, Tiger Aspect, Disney, HIT Entertainment, Intel, Puffin Books, Cut & Mustard / Endemol Shine

Primary Activity: Animation Production

See news about Kong Studio
36 Soho Square
020 7979 5646

Scanline VFX is a global visual effects studio with locations in Munich, Stuttgart, Los Angeles, Vancouver, Montreal, Seoul, and London. The company is led by President and Senior Visual Effects Supervisor Stephan Trojanksy.

Scanline is particularly noted for its creation of natural phenomena such as fire, smoke and water on disaster epics such as San Andreas, Independence Day: Resurgence, and 2012. Recent  projects like Game of Thrones, Aquaman, The Meg, Ant‐Man and The Wasp, and Justice League also highlight Scanline’s character and creature work.

Founded in 1989 in Munich, Scanline established itself as an industry leader with the  development of its proprietary fluid effects software, Flowline. Scanline was the sole developer  of Flowline and in 2008, was the recipient of a Scientific and Technical Achievement Academy  Award® for the software.

In 2010, Scanline was nominated for an Academy Award® for Best Achievement in Visual Effects  for its work on Clint Eastwood’s Hereafter, for which it was the sole visual effects vendor. The film’s signature sequence was a recreation of the 2004 Indian Ocean tsunami, which TIME  Magazine called “the most exciting, expertly assembled flood scene in movie history.” In 2013,  Scanline received a BAFTA nomination for its work on Iron Man 3 as well as a second Academy Award® nomination in 2015, for Captain America: The Winter Soldier.

Scanline has two visual effects Emmy Awards and one HPA Award for Outstanding Visual Effects  to its credit, for its work on Season Four and Season Eight of Game of Thrones, along with a VES Award for Outstanding Supporting Visual Effects for Hereafter.

Scanline has recently completed work on Joker, Game of Thrones Season 8, MidwayTerminator: Dark Fate, Spider‐Man: Far From Home, Gemini Man, and Stranger Things Season 3. Current productions slated for release in 2020, and 2021, include Free Guy, Godzilla vs. KongBlack Widow, Eternals, and The Batman.

Primary Activity: VFX